Forcalquier
- Unique piece in a gold-plated model frame
- Light of Provence - Illuminated square in the town of Forcalquier
- German artist with a passion for France
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€3,500.00
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Features and Remarks
The painter was in love with Provence - he built his studio house there in Sérignan-du-Comtat in 1981. The colours and light of the French region appealed to him. Here he visits the nearby town of Forcalquier in the Luberon Nature Park.
In softly glowing colours, we see individual human figures in a public square. The painter blurs the contours of the houses, people and trees and celebrates the light that breaks through, especially in the centre.
Informations about the artwork
| Category | Malerei |
|---|---|
| artist | Lichtner-Aix, Werner |
| year | 1986 |
| Title | Forcalquier |
| size 1 |
Canvas
35,6 x 40,3 cm
Frame: 56,2 x 45,6 cm |
| material | Oil on canvas |
| edition | Unique |
| signature | Lower left signed: AixSigned, dated, titled and work number verso on canvas: Aix 1986 Forcalquier OE-86029 |
| publication | - |
| Provenance | Private Collection Germany |
Information about the condition
|
The Painting is in a very good condition |
Information about the artist
|
Werner Lichtner-Aix was born in Berlin in 1939 and died in Munich in 1987. The suffix ‘Aix’ stands for the ‘Apollonian landscape: landscape, stripped of all accessories, laid bare in its essence, radiant in colour’. Lichtner became an engineer and trained as a self-taught painter and graphic artist. Lichtner fled from East to West Berlin in 1961 to continue his studies there. Four years later, he moved to Munich. In 1967, he decided to become a freelance painter and subsequently gave up his job as an engineer at Siemens. From 1970 onwards, Lichtner-Aix spent most of the year in Provence, in Sérignan-du-Comtat. In addition to expanding his studio, the artist discovered the Provençal landscape. From then on, his main concern was the landscape and man, man as part of nature. In 1976, Lichtner-Aix's painting style changed. The colours became more differentiated. With the increasing simplification of the paintings, their concentration on light and colour, they increasingly created their richness from an overpowering, omnipresent light. |
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