| Category | Mischtechnik |
|---|---|
| artist | Knoebel, Imi |
| year | 2002/13 |
| Title | Face 5 Ed. |
| size 1 |
Motif
36,0 x 36,0 cm
Frame: 48,4 x 48,4 cm |
| material | Acrylic paint on plastic film |
| edition | Unique character (Series of 5 unique pieces, here Nr. 5) |
| signature | Signed, dated and titled on the versoGallery label, titled and numbered on verso of reverse: Face 5 Ed. 5/5 |
| Provenance | Galerie Thomas, München Private Collection Germany |
Imi Knoebel Face 5 Ed. (2002/13)
- Collage with unique character - top condition
- Constructivist-inspired painting on plastic film - from the "Face" series
- Beuys student and renowned artist of "Minimal Art"
- Ready to hang!
€14,000.00*
- The artwork is available immediately and can be viewed at any time in our gallery.
- Ready for shipment within 2 days.
- Free shipping within Germany.
Informations
condition
|
The Mixed media is in a very good condition |
artist
|
Imi Knoebel, born Klaus Wolf Knoebel in 1940, is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The 'Messerschnitt' or 'knife cuts,' are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf. Source: This text based upon the article Imi Knoebel from encyclopedia Wikipedia which is available under GNU Licence of free documentation. The list of contributers you can find at wikipedia.org |
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Features and remarks
"Face 5 Ed." - Acrylic painting on collaged plastic film by Imi Knoebel.
The painting was created in 2013 as part of a strictly limited edition - the individual design of each copy gives the work a unique character.
If you like, a large part of the work of Düsseldorf artist Knoebel can be interpreted as a homage to the founder of minimalism, Kazimir Severinovich Malevich. When the Beuys student discovered the radical nature of non-objective art for himself, his mission was to bring this experience to the world.
In the "Face" series, the conceptual idea of a human face evoked by the title is correspondingly disappointed: the crossed collaged, hand-painted strips of rectangular cut plastic film form a kind of frame, but the surface remains empty in the figurative sense. Only the delicate brushstroke can be discovered on the film.