| Category | Malerei |
|---|---|
| artist | Czesnik, Henryk |
| year | 1994 |
| Title | The last journey |
| size 1 |
Sheet
69,0 x 98,0 cm
Frame: 93,0 x 123,0 cm |
| material | Oil, collage and graphite on paper |
| edition | Unique |
| signature | Lower right signed and dated: H. Czesnik 94 |
| Provenance | Private Collection Germany |
Henryk Czesnik The last journey (1994)
- Expressive unique piece from the year 1994
- Memento mori - Skeletons on the hearse
- Important painter and professor from Poland
- Framed and ready to hang
€4,500.00*
- The artwork is available immediately and can be viewed at any time in our gallery.
- Ready for shipment within 2 days.
- Free shipping within Germany.
Informations
condition
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The Painting is in a very good condition Mounted in a frame on a picture support. |
artist
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Henryk Cześnik was born in 1951 in Sopot, Poland. Cześnik studied at the Faculty of Painting at the State Academy of Fine Arts in Gdansk and graduated in 1977 in the painting studio of Professor Kazimierz Ostrowski. Since 2003 he has been a full professor at the Academy of Fine Arts in Gdansk. He works as a painter, draughtsman, stage designer, curator and actor. He is the author of several essays, including on the works of Jerzy Skolimowski. Cześnik has participated in several dozen solo exhibitions in the most important art galleries, museums and other exhibition centres in Poland and abroad. His works can be found in the collections of the national museums in Warsaw, Gdansk, Moscow, Sofia and Dresden, as well as in many private collections in Poland and abroad. |
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Features and remarks
Here you have the opportunity to acquire an original painting by Henryk Cześnik from 1994.
The Polish painter is known for his expressive works created from the immediacy of drawing. Deformed human figures are a recurring motif in his works.
In his works, Cześnik weaves his own and experienced stories into dark, atmospheric collages of image and material."Die letze Reise" (probably "last") is a timeless memento mori. A hearse with skeletons drives in front of a contourless landscape of pink-white and red-brown colours.
The figures are labelled with countless lines of force and movement as well as contorted limbs. Crosses and painterly hints of white lace refer to the coffin as the last vessel of the human body. The collaged image of a child at the top right can be interpreted as a reference to the beginning of life and at the same time the memory of those who remain.
„It doesn't matter in my work, the sense of time doesn't count, it's unimportant, the situation can take place a hundred years ago and maybe a hundred years from now, or maybe today. It doesn't matter, the most important thing is the atmosphere, the climate builds up my inner being, the situation I find myself in, this moment is important and decides everything.“
Henryk Cześnik