Lisa Brice Plastic Makes Perfect (1994)


  • Unique piece from 1994 suitable for wall mounting
  • Female view of art and society - BARBIE girls
  • South African artist - Working in London
  • 2018 solo exhibition in Tate Britain

€30,000.00*

  • The artwork is available immediately and can be viewed at any time in our gallery.
  • Ready for shipment within 2 days.
  • Free shipping within Germany.
Product number: 34836
Informations
Category Mischtechnik
artist Brice, Lisa
year 1994
Title Plastic Makes Perfect
size 1 124,0 x 93,5 x 9,5 cm
material Plastic dolls in an object box painted with foil from the inside
edition Unique
signature Verso details on gallery label as well as signed and dated: Lisa Brice 94
publication -
Provenance Gallery Frank Hänel, Frankfurt Private Collection Germany
condition
The Mixed media is in a good condition
Surface traces. Frame slightly bumped and no longer firm. Left side fixed with adhesive tape by the consignor. We can commission the restoration at the request and expense of the buyer.
artist
Lisa Brice wurde 1968 in Kapstadt, Südafrika geboren.

Brice studierte Malerei an der Michaelis Kunstschule in Kapstadt. Im Jahr 2018 präsentierte Brice eine vielbeachtete Einzelausstellung in der Tate Britain.

Brice kämpft teilweise gegen die Malerei und produziert dunkle, ausdrucksvolle Kompositionen, die aus der Herausforderung dessen entstehen, was sie als Ungewissheit des Mediums sieht.

Sie lebt und arbeitet in London.

e.artis safety


Features and remarks


You are buying a large mixed media work by Lisa Brice from the 1994 solo exhibition 'Plastic makes Perfect' at Galerie Frank Hänel, Frankfurt. It is a unique piece.

In the 1990s, the South African, who loves to experiment, devoted herself increasingly to installation and sculpture. She uses readily available, common household materials such as linoleum, leather, denim or metal.

Here it is plastic dolls, such as those of the famous Barbie, which Brice lines up on a panel, sometimes trimming the ends and mounting them in an object frame behind foil-covered Plexiglas. The repetitive image of the stylized woman as a sex symbol, whose role is already worn by girls as dolls, creates an oppressive feeling of mass far removed from individuality.

"Plastic Makes Perfect" thus artistically skilfully and with red signal colour shows how the ideal of the as sex object is constituted in history and questioned today.